Some stickers don’t just represent a brand — they define an era. They become shorthand for a movement, a mindset, a moment in skateboarding history. Whether it’s the Powell Peralta Ripper tearing through the page or the Santa Cruz Screaming Hand frozen mid-yell, these designs transcend merch. They become mythology.
This post takes a deep dive into one such sticker — the Powell Peralta Ripper — exploring its origins, impact, and why it still resonates decades later.
Designed by artist Vernon Courtlandt Johnson (VCJ) in the early 1980s, the Ripper was originally created as a t-shirt graphic. But once it hit sticker form, it exploded. The image — a skeleton bursting through paper with wild eyes and bony fingers — captured the raw energy of skateboarding’s underground rise.
It wasn’t just a logo. It was a statement: skateboarding breaks through.
The Ripper’s design is deceptively simple — bold lines, limited color palette, high contrast. But its symbolism runs deep:
Breaking boundaries — the torn paper motif suggests rebellion, escape, and emergence
Skull imagery — a nod to danger, death, and defiance
Eye contact — the skeleton stares directly at you, challenging, inviting, daring
It’s not passive. It’s active. It doesn’t sit on your deck — it leaps off it.
The Ripper became more than a sticker. It became a rite of passage. Slapping it on your deck meant you were part of something — the Bones Brigade, the VHS generation, the rise of street skating.
It showed up in:
Skate videos and zines
Tour posters and comp flyers
School lockers and bedroom walls
Tattoo flash sheets and graffiti tags
Even today, it’s reissued, remixed, and referenced — a visual shorthand for skateboarding’s golden age.
The Ripper has inspired countless bootlegs — some respectful, some ridiculous. UK crews have reimagined it with kebabs, pints, or footballs. Indie brands have twisted it into surreal versions — melting, pixelated, or zombified.
Each remix adds to the mythology. It’s not just a graphic — it’s a canvas.
In an era of digital drops and algorithmic branding, the Ripper remains raw. It’s hand-drawn. It’s imperfect. It’s emotional. It reminds skaters of a time when graphics were sacred, not strategic.
And it still speaks — to new skaters discovering the culture, to old heads remembering their first deck, to artists who see stickers as storytelling.
The Powell Peralta Ripper isn’t just a sticker. It’s a symbol. Of rebellion. Of creativity. Of skateboarding’s refusal to be boxed in. It changed everything — and it’s still changing things.
Because the best stickers don’t fade. They echo.
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